The Death´s Place in the Unconscious Topography YANKELEVICH Hector In April 1915, only six months after the beginning of the war, Freud wrote two conferences and he read them in his loggia, B´nai Brith. They were titled, "Current considerations about war and death". In the second of these, "Our relationship with death", the one where he himself had recognized that the inclination of victory was towards the German speaking powers, he then wrote, instead, that that war had produced a "disturbance in our relationship with death (...)". And he added, "(inasmuch as) this relationship was not sincere, (kein aufrichtiges)" (1). (Before the war) we were naturally willing to accept death as the inevitable outcome of all life, that each one owed a death to Nature and had to be prepared to settle that debt, in short, that death is something natural, undeniable (unableugbar) and inevitable ."(2) We must acknowledge that Freud, in the second of these essays, does not speak to us of the horror that the war provoked in him; of the insupportable spectacle of death that became daily and omnipresent, nor of the anxiety caused by the news from the front where he had two sons. Rather, Freud writes thanks to the unexpected and brutal change in the frame of everyday life, of the profound commotion that this produced in him. He discovered in himself, that is, in the unconscious structure, an un-analyzed layer (Stuffe), a stratum that until that moment was unreached, which disproves what he thought, or almost, and it deceived him, since he presumed to firmly maintain (festgehaltenen Verhältnisses) his relationship with Death. It is for this that the words he uses to introduce his purpose are aomewhat abrupt: "we feel so far from this world, formally so beautiful and intimate (3)(" ...daß wir uns so befremdet fühlen in dieser einst schönen und trautren Welt"). In truth, explains Freud, we had a tendency to put death to one side ("beiseite zu schieben"). to eliminate it from life. We believed ourselves to be willing, up to here, to settle that debt, unquestionable ("unableugbar"(4) ). But if it was not always like this, the idea is that " our own death would not be not representable" ("unvorstellbar") This relationship to death, our death, has, however, a strong efficacy
("hat aber eine starke Wirkung") over our lives. That it impoverishes
and loses interest when, in the games of life it is not permitted ("nicht
gewagt werden darf") to venture the highest bid ("der höchste
Einsatz"): precisely, life itself. The inclination to exclude death
from the accounts of life has as a consequence many other renouncements
and exclusions. Would it not be then, that from this moment one could read the phrase that closes the "the I and the It": "death is an abstract concept of negative content, for which you cannot find a corresponding unconscious?" If the Unconscious is the meticulous and frowning accountant of our lives, if it that which establishes the exhaustive list of successes and defeats in a careful manner, of prices paid and those to pay, is it not by chance because it is itself in correspondence with the other side of the vertical bar, there where it is inscribed forever and far beyond each one the negative cipher of our original debt? We know, thanks
Not being able to fill this abstract concept by experience, or formal - inasmuch as it is not given to us to live our own death - only by giving it a negative content(6) is how we arrive, without our representing it, to think of death. Negative content means a simple supression, or privation, of life. It is this same impossibility of being filled by experience that will allow only that the Unconscious could come near to being representable(7) of this hole to which no experience is permitted to acceed. Lacan versus Freud? May the reader allow us to jump a century or more to listen to one of the echos of this essay by Freud. In 1972, in the University of Lovaina, Lacan started a conference pointing out the following abjectives to his audience : "death (...) belongs to the domination of faith (...) You are right in believing that you are going to die (...) this sustains you (...) if you did not believe this, could you support life? (...) solidly supported in the certainty (...) however it is only an act of faith (...) inasmuch as we are not sure (...) By chance... is there not someone who lived one hundred and fifty years? (...) It is there that faith takes on strength (...) "(8) On reading, or hearing these words nobody could stop from feeling a sudden and tremendous fright, inasmuch as a more than famous phrase of Freud is immediately suggested to the memory, written in an essay that we commented on at an earlier opportunity, and that we deliberately did not cite until now, because of the strange resonance that the words of Lacan take concerning it. The phrase says: "Nobody, deep down, believes in their own death ("Im Grunde, glaube niemand an seinen eigenen Tod.") or, what is the same, that in the Unconscious each one of us is persuaded of his own immortality. "(9) It is clear that Lacan constructed his own purposes to disconcert us; more so, we can see ourselves assaulted by doubt: Lacan is opposing Freud in a theme that is a nodal point of psychoanalysis, and is if this is so, why? To begin with, Lacan places death in the order of discourse: "dominion of faith" making reference here to the monotheistic religions, and in particular to christianism. However, his enunciation, and it is audible, is totally ironic. As from that which slips from "faith" to "belief" passing by that which is directed to the Other - faith, the fidelities, - to what stays at the side of the subject - belief -. Belief in one´s own death, that is what allows life to be supported. But then without warning, Lacan introduces a Freudian term, though little used, certainty, "Gewifsheit" to pass immediately to a Lacanian sintagma "act of faith" and return to fall blandly back into uncertainty: "we are not sure". Later, with a slight movement of the head faith makes a nuevosu retorno. There are word couples that always go together, for example ´believe´/´we
are not sure´. Their link is incontestably...the disproof (the Verleugnung).
"What I believe is, I am going to die, and well... should there not
be at least one that...? After all, I am not sure." The subject cannot
maintain itself in the certainty(10), it cannot support itself solidly,
prove itself, except in the psychosis, it is certain, but with a different
status. On the other hand, the internal relation of the couple faith/belief
- that does not exist in German, only has the term Glauben - is also commanded
by the functioning of the disproof. It is for this that Lacan creates
a new significant, the act of faith, that comes to occupy the place in
time of which certainty cannot sustain: a permanent freeing of the dividing
bar that separates the So, this double relationship: not to believe in that which you know and
uncertainty in that which you believe puts death in a priviledged place
as much in the local of Freud as in the logic of Lacan. This knowledge
disproven that is the priviledge of death - one¨s own - gives it at
the same time a structural parentship with the differences of the sexes
and castration, but also with the enigmatic appearance of the dead father. concerning the irrepresentability of our own death, that it is necessary to find the logical argument in the origin of the earthquake that disturbed the first local prepared, with the appearance of the death of the father, the arrival of the death drive. That which, because of the violence of its arrival on the theoretical scene hid the metapsychological instruments that prepared the arrival in a lasting way. We have to conclude, at least temporarily, that except for the eristic surprise, Lacan does not oppose Freud, even though it is correct that he introdices a novelty: in the interpretation of the dream, that closes the "Formulations about the two Principles..."(11) "I was dead...but I did not know it", Freud inserts " depending on his desire" founding the psychoanalysis of the Dead Father. Lacan reads the "It", the implied subject that begins the phrase as the only way that the speaking subject has to designate the place from where it speaks, without being able to ever recognize it as such. (12)
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